, Interview with Michael Stewart Foley. Personal interview, 2015.
, Interview with Michael Stewart Foley. Personal interview, 2015.
, Interview with Michael Stewart Foley. Personal interview, 2013.
, Interview with Michael Stewart Foley. Personal interview, p.12, 2013.
, Zine Articles "The Avengers, Avengers & Dils." Search & Destroy, vol.6, issue.3, pp.12-13
, Damage, Western Front Festival Edition, p.5, 1979.
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, Western Front: Not So Quiet on the Western Front, New Youth is Everybody, vol.16, issue.5, p.29, 1978.
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, End of the year editorial message, p.30, 1980.
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, No Apologies, CREEP, vol.14, issue.1, pp.3-4, 1979.
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, , 1968.
, Michael Maffesoli worried (in a book published before his reputation suffered as a result of a number of controversies) that the "festive dimension" of neo-tribal resistance is aimed "less at changing the world than getting used to and tinkering with it
, On the role of emotion in social movement theory, see Goodwin, 2001.
, , 2009.
, A great many histories of the United States in the 1970s build from the premise that the American public, fed up with the excesses of the Sixties, swung to the right politically, most obviously Sandbrook, 2001.
, , 2008.
, , 2008.
, , 2014.
, , 2005.
, New Dark Ages, 1980.
, Class War" and "National Guard," etc. In addition, the renewal of draft registration garnered widespread coverage in area zines (Eddie K, Numerous songs discussed the betrayal of American draftees and servicemen, including No Alternative's "Johnny Got His Gun, 1980.
, On tenant eviction battles, see Foley, pp.66-73, 2015.
, On White Night riot, see Happy Geek, 1979.
, , 2015.
, Other bands that played benefit concerts for the May 2st Riot Defense Fund included The Blowdryers, The Contractions, and No Alternative, Jello Biafra, I Blow Minds for a Living LP, Alternative Tentacles, 1979.
, A certain circularity structures an intimate public, therefore: its consumer participants are perceived to be marked by a commonly lived history; its narratives and things are deemed expressive of that history while also shaping its conventions of belonging; and, expressing the sensational, embodied experience of living as a certain kind of being in the world, it promises also to provide a better experience of social belonging-partly through participation in the relevant commodity culture, and partly because of its revelations about how people can live, As Berlant notes
, On prefigurative politics, see Breines, 1989.
, Vale qtd in Stark: 26-27, 28; Penelope Houston, email to Foley, Vale, 2013.
, Principle quoted in Corbisier, p.33, 2008.
, The Mutants' only LP is called Fun Terminal the cover image for which is a photo of the actual Fun Terminal
, , 1990.
, German rave scene's "ability to deliver a political message lies in its power to influence patterns of love and friendship, 1998.
, Schwartz said that punk was all about "makin' noise and bein' crazy and changing the world every day. Without letting corporate culture have its way on us
, , pp.186-193, 2009.
, For brief overview and photos, see: centrefold, and "The Western Front, 1979.
, Angles-Leisure, Public Engagement and Shared Communities | The Cultures and Politics of Leisure | The journal, 2017.