, ?????? ??????' ????????? ??? ????, 2001.

. See, The Purple Rose of Cairo by Woody Allen (1985). The comparison is explicitly, 2009.

, The longest genealogical report is given by Aeneas against Achilles

, Létoublon, 1983.

. Il, ????? ? ???????, ???? ??? ?? ?? ??? ????? ????? '????????? ??????? ???? ??, ??? ????? ?? ?? ???? ??? ??? ???? ?? ?? ??????? ????? ??????? ??? ?????? (the same set of four verses occurs in Book 16 in Patroclus' arming-scene, but with a negative verb : 16.140 ????? ?? ??? ????? ?? ?? ???????? ?? ??????, 387-91 ?? ?' ??? ???????? ????? ??? ???????' ????? ????? ???? ????????? ?? ??? ?? ?????' ?????, vol.19

, In the Bible and in the Koran, God creates man out of clay. See Canteins, 1986.

. Il, ?????? ?? ??? ???? ????? ??? ???? ???? ?????? ????? ?????? ??????????. Compare to 21.167-8 ?? ?? ???? ????? ???? ??????????? ?????????? ????? ???? (where Asteropaios' spear is eager for flesh, vol.21, pp.69-70

, (s. v. ????) and CEG, 1274. See Létoublon, Chantraine, pp.116-123, 2009.

, On the Chariot Race, see Clay 2007, and for a more general account on Greek athletics, pp.138-141, 2007.

, In the Iliad for Phoinix, Epeigeus and Patroclus, the latter two being homicides

, 5-6 with bibliographical references: the lost epic Alkmaionis told how Peleus and his brother Telamon killed their half-brother Phocos and were sent into exile by their father Aiakos, 1998.

, with reference to Slatkin 1991 for the notion of allusion, vol.6, 1998.

, As Heiden also notes, this contrast recalls the similes studied by Porter 1972

. Ps, On a cliff as he sitteth and gazeth away o'er the wine-dark deep, So far at a bound do the loud-neighing steeds of the Deathless leap. (Iliad 5. 770, trans. A. S. Way) and comments on the quality of a spectacle seen only in the imagination : «He makes the vastness of the world the measure of their leap. The sublimity is so overpowering as naturally to prompt the exclamation that if the divine steeds were to leap thus twice in succession they would pass beyond the confines of the world.» See the thematic markers of the sublime in Porter 2016, 51-54, and the great ocean, ibid.,360. very mind, or, if Fränkel's ideas do not allow us to use this word, the interiority of the characters, their mental world. We actually do not enter Achilles, Longinus quotes another Homeric simile, describing a tempest, rather than this one: And far as a man with his eyes through the sea-line haze may discern